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Rosso Fiorentino
Marriage of The Virgin
San Lorenzo, Florence
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Rosso Fiorentino
Pieta
1530-35
Musee du Louvre, Paris
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Rosso Fiorentino
Moses Defending the Daughters of Jethro
1523
Galleria degli Uffizi, Florence
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Rosso Fiorentino
Angelic Musician
Galleria degli Uffizi, Florence
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Rosso Fiorentino
Madonna and Child with Saints
Galleria degli Uffizi, Florence
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Rosso Fiorentino
Portrait of a Young Woman
Galleria degli Uffizi, Florence
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Rosso Fiorentino
Macabre Allegory
Galleria degli Uffizi, Florence
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Rosso Fiorentino
The Dead Christ Watched Over by Angels
Museum of Fine Arts, Boston
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Rosso Fiorentino
Deposition from the Cross
San Lorenzo, Sansepolcro
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Rosso Fiorentino
Deposition from the Cross
Pinacoteca Civica, Volterra
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Rosso Fiorentino
Madonna in Glory
The Hermitage, St.Petersburg
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Rosso Fiorentino
Pieta (mk05)
Canvas 50 x 64 1/4 ''(127 x 163 cm)Painted for the Connetable Anne de Montmorency.Seized in the Revolution from the collection of Louis-Joseph de Bourbon,at the Chateau d'Ecouen
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Rosso Fiorentino
Deposition (mk08)
1521
Oil on wood,
333x195cm
Volterra,Pinacoteca Comunale
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Rosso Fiorentino
Moses and the Daughters of Jethro (nn03)
c 1523
Oil on canvas 160 x 117 cm 63 x 46 in Galleria degli Uffizi Florence
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Rosso Fiorentino
Moses Defending the Daughters of Jethro
mk65
Oil on canvas
63x46 1/16in
Uffizi,Gallery
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Rosso Fiorentino
Madonna and Child
mk65
ca.1517
Oil on canvas
transferred from panel
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Rosso Fiorentino
Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict
mk67
Panel
67 11/16x55 1/2in
Uffizi,Gallery
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Rosso Fiorentino
Madonna Enthrouned with Ten Saints
mk67
Panel
137 13/16x82 11/16in
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Rosso Fiorentino
Angel Musician
mk67
Panel
15 3/8x18 1/2in
Uffizi,Gallery
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Rosso Fiorentino
Assumption of the Viorgin
1517
Fresco, 385 x 395 cm
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| Rosso Fiorentino
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Italian Mannerist Painter, ca.1495-1540
Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style.
Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau.
Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
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